The plan for the year lies in spring. There are countless paintings on the themes of scenery, scenery, folk customs, daily life, etc. that have been related to spring and the Spring Festival in the past dynasties. “The Wind of Benefits and Winds – Painting Exhibition on the Spring Themes of Ming and Qing Dynasties” was exhibited at the China Painting Museum of All Times on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, yelling spring elegant meetings, and enjoying spring happiness from the Ming and Qing Dynasties paintings collected by Guangzhou Art Museum and Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poetic plan (partial) (Qing Dynasty) Huang Bi
BusinessKomiks 1960 witch cloth drawApril: Spring in the paintings of ancient painters
Hundreds of flowers are in full bloom, spring plowing and grazing, and literati and scholars are out for spring… The works exhibited this time strive to show the spring in the paintings of ancient painters from customs, scenery, etc. The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works by Cinema 1950 witch cloth draw on the theme of Cinema 1950 witch cloth draw on the Ming and Qing Dynasties.
The second part of the exhibition is “Yang Chun Elegant Meeting”, which displays works of ancient literati on the theme of spring outings and cultivation. Since ancient times, it has been popular in the early spring season. Babaylan 1990 clothes draw goes out for an outing, and holds a sauna event on the Komiks 1960 witch clothes draw festival in late spring. The “Lanting Xiucai” and other elegant gatherings that evolved from folk sacrificial activities are announcing this festival.th draw is elegant and elegant. The “Preface to Lanting” written by Wang Xizhi of the Eastern Jin Dynasty made “Lanting Xiuhua” and “Qushui Liushang” unique themes in Chinese paintings that express spring scenery.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and landscapes as exhibits, presenting the spring scenery depicted by ancient painters.
The Northern Song Dynasty painter Guo Xi believed that due to the different wind and rain and the morning and evening seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze is warm and the spring light is swaying, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this kind of picture should also be Babaylan 1990 cloth draw happy and peaceful. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
Year-Chorus Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic Dramatic D Draw customs such as door gods. Therefore, the “Sun Dynasty Picture” in traditional Chinese paintings always depends on content such as bidding farewell to the old and welcoming the new, exorcising evil spirits and eliminating disasters, worshiping gods and ancestors, praying for the years and blessings.
“Komiks 1960 witch cloth draw” is the first day of the Lunar New Year. As a work in this season, painters often use fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other objects. These ornaments often placed on the desk are called “clear offerings”, in order to pray for blessings and welcome good fortune.
Ju Lian’s “Photo provided by the Qing Dynasty in the Sui ChaoqingKomiks 1960 witch cloth draw” uses harmony and auspiciousnessThe auspicious fruits and flowers add to the festive atmosphere, and pray for blessings in the name of “clear offerings”, expressing wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, “Sui Chao Tu” by Yongying, the sixth son of Qianlong, is a more special piece in the exhibition’s “Sui Chao” theme, depicting the scenery and scenery of the Northern Sui Chao period. Although the picture looks cooler and colder, it implies the peaceful meaning of “Auspicious snow indicates a good harvest”.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Julian
Traveling around in the mountains and rivers: the “Peach Blossom Land” full of fireworks
“The Peach Blossom Land” is one of the representative works of Tao Yuanming, a famous writer of the Eastern Jin Dynasty, and it is also a creative theme that painters of all dynasties enjoy. Several works in this exhibition are based on the story of “Peach Blossom Land”. These works are unique, including long scrolls that are loyal to the text and narrative with paintings, sketches that are created by cutting out the wonderful clips of the story, and landscape paintings created by Cinema 1950 witch cloth draw.
Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “The Book of Peach Blossoms”. This work shows different scenes in the poem in paragraphs through the form of a long scroll. The layout of the whole work is neat and rigorous. Each plot is separated by a large rock in the close-up, and different parts of the story are cleverly divided. The brushwork is neat and delicate, and the colors are elegant.
Although Huang Bi painted “Peach Blossom Land”, peach blossoms did not account for a large proportion like other paintings of the same title, and only appeared as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work without the unattainable fairy spirit and making people feel more intimate.
Komiks 1960 witch cloth drawIn addition, this exhibition also displays spring landscape paintings created by important painters in Jiangsu, Zhejiang, Guangdong and other places in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting style is diverse, fine and extensive, and he is good at painting various subjects such as characters, landscapes, flowers and birds. The “Spring Tour from the Green Deep Mountains” exhibited in this exhibition depicts the scene in the Taohua Creek area of Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water is green in the moss among the flowers. I don’t look for the source because of the fishing boat. I strive to know the immortals (home) to escape from the world. The green rain flows through the clouds, and the sun protects the Yaotai. The old couple in the mountains made an appointment, and asked me to come back to the spring with wine.” This work by the painter borrows the allusion from the “Peach Blossom Spring” to describe the Wanhua River in the Taohua River in Luofu Mountain in the spring. drawa paradise like a paradise.
[Reporter’s Notes]
The museum has a good collection and better exhibition
After an extremely extraordinary year, the spring of 2021 is even more exciting. The relocation Babaylan 1990 cloth draw is about to be relocated. The Guangzhou Art Museum is themed on “Spring” and holds the Ming and Qing Spring Painting Exhibition as its first exhibition at the beginning of the year, which is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing dynasties collected by itself and its brother institutions.
The current exhibition format is increasingly focusing on experience, and for this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
The era of multimedia, the content is still the Cinema 1950 witch cloth draw king. Whether in the professional field or in the eyes of the public, the core elements of the exhibition are still the exhibits and the curator’s explanation and knowledge of the exhibits.href=”https://comicmov.com/”>Babaylan 1990 cloth drawRecognize production. The predecessor of the Guangzhou Art Museum is one of the earliest art museums in New China built in 1957 – the Guangzhou Art Museum. The site of the Guangzhou Art Museum is originally located in the Zhongyuan Building, a famous building on Yuexiu Mountain, and later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the northern part of the city. Its main collection is donated by a group of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that have made the Guangzhou Art Museum gather and treasures a gathering of treasures and gems, becoming an indispensable corner of the Guangzhou urban cultural map.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in the excavation and research of collections, and are at the forefront of the country and are eye-catching. We must have a good collection and a good exhibition to serve the public. Collection research and display is one of the biggest differences between public institutions and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: Let more people see the museum’s collections be the biggest patriotism.