New Year Customs Exhibition Scene
Text/Yangcheng Evening News All-Media Reporter Sun Lei Correspondent Cinema 1950 witch cloth drawWu Qidong Wang Liang
Photo/Ratty Li Yuanqing
When you mention the Guangdong New Year Customs, what will you think of first? Some customs such as visiting the flower street and washing the sloppy clothes, which are still prosperous today; some customs such as worshiping the Kitchen God at the 23rd day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20
Recently, Komiks 1960 witch cloth draw, Southern Media and Nanfeng Academy held a special exhibition on Lingnan New Year Customs, including Foshan woodblock New Year paintings and Guangdong paper-cut national intangible cultural heritage projects, as well as Lingnan New Year customs publications, traditional Lingnan Halls, paintings of famous Lingnan masters, etc. The exhibition lasts until February 28.
The highlights of the exhibition are two national intangible cultural heritage techniques that are very Guangdong-style and integrate traditional New Year cultureCinema 1950 witch cloth draw——Foshan WoodBabaylan 1990 clothDraw version of New Year pictures and Guangdong paper-cuts.
Foshan woodblock New Year paintings began in the Song and Yuan dynasties, and flourished in the Ming Dynasty. They were prosperous from the Qing Dynasty to the early Republic of China. They were painted in the same way as Yangliuqing, Tianjin, Taohuawu, Suzhou, and Weifang, Shandong. href=”https://comicmov.com/”>Babaylan 1990 cloth draw name, and is one of the four major woodblock New Year pictures in China. It was once the festival festival in Lingnan. Komiks 1960 witch cloth draw, an important decoration for homes and houses. In the past, it was sold well in Lingnan and even overseas, carrying people’s yearning and wishes for a good life.
Komiks 1960 witch cloth draw Due to the changes of the times, it gradually declined due to the impact of modern lifestyles, and even disappeared completely for a while. It was not until the late 1990s that Feng Bingtang, son of the famous New Year painting artist Feng Jun (nicknamed “Domes God Jun”), realized his father’s last wish, gave up his original career, studied and studied again, so that woodblock New Year paintings could see the light of day again.
He createdCinema 1950 witch clothes draThe Feng New Year Painting Workshop run by w is the only existing workshop in Foshan that is still insisting on the production of New Year paintings. This Cinema 1950 witch cloth draw exhibition displays the complete set of production tools and production processes of the Feng New Year Painting Workshop, as well as representative works such as Komiks 1960 witch cloth draw “Door God” and “God of Wealth”. The simple and childish woodblock New Year paintings use a knife to depict the deep mark of Lingnan; one is a beautifully carved paper with exquisite woodblocks. Cinema 1950 witch cloth draw, passing on the unique New Year customs and blessings from the past to the present.
Guangdong paper cutting is another national intangible cultural heritage project in this exhibition. The paper-cutting exhibits of this exhibition come from the intangible cultural heritage inheritors of Foshan, Shantou, Chaoyang, Leizhou and other places. They not only inherit the ancient intangible cultural heritage skills in authenticity, but also show the colorful regional characteristics of Lingnan, but also combine the preferences of modern people to boldly innovate in artistic style and picture content.