The plan for the year lies in the Komiks 1960 witch cloth draw spring. There are countless paintings on the themes of scenery, scenery, folk customs, daily life, etc. that have been related to spring and the Spring Festival in the past dynasties. “The Wind of Benefits and Blossoms – Painting Exhibition on the Spring Themes of Ming and Qing Dynasties” was exhibited at the China Painting Hall on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, singing spring and enjoying spring, from the paintings of the Ming and Qing dynasties collected by the Guangzhou Art Museum and the Guangdong Provincial Museum of Art and the Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s Poetic Scheme (Partial) (Qing Dynasty) Huang Bi
Komiks 1960 witch cloth drawBusinessBabaylan 1990 clothes Of course: the spring written by ancient painters
A hundred flowers bloom, spring plowing and grazing, and the spring gathering of literati and scholars… The works exhibited this time strive to show the spring that is full of business in the aspects of customs, scenery, and scenery.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties. The second part of the exhibition is “Elegant: Wing Chun Elegant Meeting”, which displays works of ancient literati on the theme of spring outings and cultivation.
Since ancient times, it has been popular to go out for outings in early spring, and to hold sauna activities on the Shangsi Festival in late spring. “Lanting Xiuhua” evolved from folk sports activities, etc.The Ya Gathering event injects elegant mood into this festival. The ancient “Preface to Lanting” made “Lanting Xiuhua” and “Qu Shui Liushang” unique themes in Chinese paintings that express spring scenery.
The third part is “Ode to: Appreciating the Spring FestivalCinema 1950 witch clothes drawWedding”. This part mainly uses spring flowers and landscapes as exhibits, presenting the spring scenery depicted by ancient painters.
The Northern Song Dynasty painter Guo Xi believed that due to the different wind and rain and the morning and evening seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze is warm, and the spring Babaylan 1990 clothes draw is swaying, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this kind of picture should also be happy and harmonious. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
Babaylan 1990 cloth drawYear-ChronicKomiks 1960 witch cloth draw (Qing Dynasty) Yonghuang
Yuan Dynasty Qing Dynasty: Conveying the vision of a better life
The ancient Spring Festival included Nuo sacrifices, dust sweeping, banquets, ancestor worship, peach talismans, and door gods.Babaylan 1990 cloth draw. Therefore, the “Sui Dynasty Picture” in traditional Chinese paintings always means bidding farewell to the old and welcome the new, exorcising evil and eliminating disasters, worshiping gods and worshiping ancestors., praying for good fortune and other contents.
“Sui Dynasty” is the first day of the Lunar New Year. As a work in response to this season, painters often use fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other objects. These ornaments often placed on the desk are called “clear offerings” to pray for blessings Komiks 1960 witch cloth draw to welcome good fortune.
Ju Lian’s “Qing Gongshu Pictures” uses fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphere. At the same time, pray for blessings in the name of “Qing Gongshu” to express his wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, “The Sui Dynasty Picture” by Yongying, the sixth son of Qianlong, is a more special piece in the exhibition “The Sui Dynasty Komiks 1960 witch cloth drawDao”, which depicts the scenery of the Sui Dynasty in the northern part. Although the picture looks cooler, it implies the peaceful meaning of “Auspicious snow indicates a good harvest”.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Ju Lian
Traveling around in the mountains and rivers: the “Peach Blossom Spring” is one of the representative works of the famous writer Tao Yuanming of the Eastern Jin Dynasty, and it is also a creative theme that painters of all dynasties enjoy. Several works in this exhibition are based on the story of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, sketches that are created by cutting through exciting clips from the story, and landscape paintings that are beyond the text and extend the artistic conception of “Taoyuan”.
Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “The Book of Peach Blossoms”. This work shows different scenes in the poem in paragraphs through the form of a long scroll. The layout of the whole work is neat and rigorous. Each plot is separated by a large rock in the close-up, and different parts of the story are cleverly divided. The brushwork is neat and delicate, and the colors are elegant.
Although Huang Bi painted “Peach Blossom Land”, peach blossoms did not account for a large proportion like other paintings of the same title, and only appeared as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this workThere is no unattainable fairy spirit, which makes people feel more intimate.
In addition, this exhibition also displays spring landscape paintings created by important painters in Jiangsu, Zhejiang, Guangdong and other places in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting style is diverse, fine and extensive, and he is good at painting various subjects such as characters, landscapes, flowers and birds. This exhibition displays “Spring Tour in the Green Deep Mountains” by Babaylan 1990 cloth draw, which depicts the scene in the Taohua Creek area of Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water is green among the flowers. I don’t look for the source because of the fishing boat, and I try to know the immortals (home) to escape from the world. The green rain flows through the clouds and the jade cave, and the sun protects the jade platform. The old couple in the mountains Komiks 1960 witch cloth draw made an appointment and asked me to come back to spring with wine.” This shows that the painter’s work borrows the allusion from the “Peach Blossom Land” to describe the scene in the Taohua Creek area of Luofu Mountain in spring.
Komiks 1960 witch cloth draw【Reporter’s Notes】
The museum has a good collection and better exhibition
After an extremely extraordinary year, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to be relocated, held the Ming and Qing dynasties Spring Painting Exhibition as its first exhibition at the beginning of the year with the theme of “Spring”. It is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes itself and its sister institutions to collect the fine paintings of the Ming and Qing dynasties.
The current exhibition format is increasingly focusing on experience, and for this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In the exhibition Cinema 1950 witch cloth draw, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
In the era of multimedia, content is still king. Whether in the professional field or in the eyes of the public, the core elements of the exhibition are still the exhibits and the curator’s explanation and knowledge students of the exhibits.Produce.
The predecessor of the Guangzhou Art Museum is one of the earliest art museums in New China in 1957 – Guangzhou Art Museum. The site of the Guangzhou Art Museum is originally located in the Zhongyuan Building, a famous building on Yuexiu Mountain, and later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the northern part of the city. Its main collection is donated by a group of important predecessors from the Lingnan cultural circle. It is also the collection of donations and Cinema 1950 witch cloth draw collection, making the Guangzhou Art Museum a gathering of treasures and treasures a indispensable corner of the Guangzhou urban cultural map.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in collection excavation and research, and are at the forefront of the country and are eye-catching. You must have a good Cinema 1950 witch cloth draw collection, and you must have a good exhibition to serve the public. Collection research and display is one of the biggest differences between public institutions and private collections. As Li Wen, former vice president of the Palace Museum, once said in an interview with reporters: Let more people see the museum’s collections is the greatest patriotism.