The plan for the year lies in spring. There are countless paintings on the themes of scenery, scenery, folk customs, daily life, etc. that have been related to spring and the Spring Festival in the past dynasties. “The Wind of Benefits and Blossoms – Painting Exhibition on the Spring Themes of Ming and Qing Dynasties” was exhibited on December 30, 2020 at the China Painting Hall of the Years on the first floor of the Guangzhou Museum of Art from December 30, 2021. The exhibition specially selected a large number of works related to the spring of ancient people, such as the blessings of the spring, the singing spring, and the appreciation of spring, from the paintings of the Ming and Qing Dynasties in the Guangzhou Museum of Art and the Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poetic plan (partial) (Qing Dynasty) Huang Bi
Business is abundant: the spring written by ancient painters
Hundreds of flowers are in full bloom, spring plowing and grazing, and the spring gathering of literati and scholars… The works exhibited this time strive to show the spring written by ancient painters in terms of customs, scenery, and scenery.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties.
The second part of the exhibition is “Yangchun Elegant Meeting”, which displays works by ancient literati on the theme of spring outings and cultivation.
Since ancient times, it has been popular to go out for outings in early spring, and to hold snatching activities on the 1960 witch cloth draw festival in late spring. The “Lanting Xiucai” and other elegant gatherings that evolved from folk sauna activities have injected elegant mood into this festival. The “Preface to Lanting” written by Wang Xizhi of the Eastern Jin Dynasty made “Lanting Xiuhua” and “Qushui Liushang” unique themes in Chinese paintings that express spring scenery. Cinema 1950 witch cloth draw
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and landscapes as exhibits, presenting the spring scenery depicted by ancient painters.
The Northern Song Dynasty painter Guo Xi believed that due to the different wind and rain and the morning and evening seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze is warm and the spring light is swaying, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this kind of picture should also be happy and harmonious. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
Yuan Dynasty Picture (Qing Dynasty) Yonghuang
Yuan Dynasty Ceremony: Conveying the Vision of a Better Life
Ancient Spring Festival included Nuo Festival, sweeping dust, banquets, worshiping ancestors, changing peach talismans, and sticking door gods. Therefore, the “Yuan Dynasty Picture” in traditional Chinese paintings is always inseparable from content such as farewell to the old and welcome the new, exorcising evil spirits and eliminating disasters, worshiping gods and ancestors, praying for the years and blessings.
“Sui Dynasty” is the first day of the Lunar New Year. As a work in response to this season, the paintings are often painted with fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other items. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome good fortune.
Ju Lian’s “Qing Qing Dynasty Picture” uses fruits and flowers that symbolize harmony and auspiciousness to add to the festive atmosphere, and at the same time praying for blessings in the name of “Qing Gong”, expressing wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, the “Sui Chao Tu” by Yongying, the sixth son of Qianlong, is a more special piece of the “Sui Chao” theme works in this exhibition, which depicts the scenery and scenery of the Northern Sui Chao period. Although the picture looks cooler, it implies the peaceful meaning of “Auspicious snow indicates a good harvest”.
YearBabaylan 1990 clothes drawPhoto provided by the Qing Dynasty (Qing Dynasty) Julian
Traveling around the mountains and rivers: the “Peach Blossom Land” full of fireworks
“The Peach Blossom Land” is one of the representative works of Tao Yuanming, a famous writer of the Eastern Jin Dynasty, and is also a creative theme that painters of all dynasties enjoy. This exhibitionBabaylan 1990 clothes Draw Several works are based on the story of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, and sketches that cut through wonderful clips of the story. There are also landscape paintings created by Cinema 1950 witch cloth draw.
Among them, Huang Bi’s “TaoBabaylan 1990 cloth draw is a relatively complete reproduction of the work of “Peach Blossom Land”. This work shows different scenes in the poem in segments through the form of a long scroll. The whole workKomiks 1960 witch cloth drawThe layout is neat and rigorous. Each plot is separated by a large rock in the close-up area, cleverly dividing different parts of the story. The brushwork is neat and delicate, and the colors are elegant.
Although Huang Bi painted “Peach Blossom Land”, Cinema 1950 witch cloth drawThe peach blossoms do not account for a large proportion like other paintings of the same title, and only appear as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work without the unattainable fairy spirit and making people feel more intimate.
In addition, this exhibition also displays spring landscape paintings created by important painters in Jiangsu, Zhejiang and Guangdong in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang BiBabaylan 1990 clothes draw, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li JianCinema 1950 witch clothes draw, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting styleHe is diverse, fine and extensive, and is good at painting various subjects such as characters, landscapes, flowers and birds. The “Spring Tour from the Green Deep Mountains” exhibited in this exhibition depicts the scene in the Taohua Creek area of Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water is green among the flowers. Don’t look for the source of the fishing boat, and strive to know the immortals. Cinema 1950 witch cloth draw (home) avoiding Komiks 1960 witch cloth draw The world comes. The green rain flows through the clouds and the jade cave, and the sun protects the sun. The mountain is covered with the mountains and mountains. The old couple in the draw made an appointment and asked me to come back to the spring with wine. “It shows that the painter’s work borrowed the allusion from “Babaylan 1990 cloth draw” to describe the scene in the Taohua Creek area of Luofu Mountain in spring.
[Reporter’s Notes]
The museum has a good collection and better exhibition
After an extremely extraordinary year, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to be relocated, held the Komiks 1960 witch cloth draw Spring-themed painting exhibition for the Ming and Qing Dynasties as its first exhibition in the beginning of the year, which is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing dynasties collected by itself and its brother institutions.
The current exhibition format is increasingly focusing on experience. For this reason, major institutions have spent a lot of effort and effort on the layout of exhibitions. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
In the era of multimedia, content is still king. Whether in the professional field of Cinema 1950 witch cloth draw or in the eyes of the public, the core elements of the exhibition areps://comicmov.com/”>Cinema 1950 witch cloth draw is, however, the exposition and knowledge production of exhibits and curators.
The predecessor of the Guangzhou Art Museum was one of the earliest art museums in New China in 1957–the Guangzhou Art Museum. The site of the Guangzhou Art Museum was originally located in the Zhongyuan Building, a famous building on Yuexiu Mountain. It was later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the north of the city. Its main collection was donated by a number of important predecessors from the Lingnan cultural circle, and it was also this Babaylan 1990 clothes Draw batches of donations and collections have made the treasures of the Guangzhou Museum of Art gathered and treasures, becoming an indispensable corner of the Guangzhou urban cultural map.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in the excavation and research of collections, and are at the forefront of the country and are eye-catching. We must have good collections, and we must also have good exhibitions to serve the public. Collection research and display are one of the biggest differences between public institutions and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: Let more people see the museum collections is the biggestBabaylan 1990 cloth drawPatriotism.