Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui Photo/Creation Cinema Provided by Cinema On October 4, the national opera “Overseas Chinese Commentary” will be officially premiered in the Opera Hall of the Guangzhou Grand Theater. The play is a key support program of the Ministry of Culture and Tourism’s “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project”, telling the ups and downs behind the overseas Chinese criticism. The play was produced by the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai High-tech Zone Management Committee. It was produced by the Zhuhai Performing Arts Group and performed by the Zhuhai Song and Dance Troupe. It took two years to create the Babaylan arrangement through the main creative and leading actor team and more than 200 cast and staff members in front and behind the scenes.
Stills from the national opera “Overseas Commentary”
Art presents the national spirit of historical themes
Overseas Commentary is a general term for letters and palindroms sent by overseas Chinese to their families through folk channels and financial and postal institutions. It is a carrier of “convergence of letters” and is called letters across the sea and flourished in the coastal areas of Guangdong. The national opera “Overseas Criticism” started with the fact that Chinese worker Liang Chengru rushed to his hometown to prevent his daughter from being sold like himself but died at sea. He left behind a “Overseas Criticism” that he had to sell his daughter. Komiks Liang Dongshi and Liang Caiyun, mother and daughter, mother-in-law who had been lying on sick for a long time, Tang Youxin, and his wife, and many Chinese workers who empathized with Liang Chengru. It demonstrated the compatriots who were loyal to Yuntian in the years of suffering, reflecting the great love of the Chinese nation rooted in the bone marrow and flowing in blood.
Stills from the national opera “Overseas Chinese Commentary”
How to visualize a piece of Overseas Chinese Commentary and present it on the stage in an artistic and humanized manner is a proposition for opera creation. The screenwriter of the play, Wang Yong, said: “A copy is the story. BabaylanThe starting point is also the fulcrum of the story. This “fulcrum” connects the past and present lives of the Chinese nation. Only by expressing human nature and human feelings can we break the barriers of time and be closer to the overseas Chinese and Chinese workers in the past on the emotional level, so that the “Overseas Chinese Appeal” is no longer an exhibition in the museum window, history is no longer a cold text and pictures, and the story is more humane and a light that warms people’s hearts, touches people’s hearts, and shocks people’s hearts. “
The top team spent two years working hard to create the national song “Komiks” gathered top artists in the industry – Meng Weidong, consultant of the Chinese Musicians Association, former head of the China Railway Art Troupe, and first-class composer, as the composer, Wang Yong, vice chairman of the China Drama Association, president of the National Peking Opera Theater, and first-class screenwriter. Liao Xianghong, former vice president of the Central Academy of Drama and doctoral supervisor, and Deng Yijiang, former vice president of the National Grand Theater and former vice president of the Beijing Dance Academy, as the director. href=”https://comicmov.com/”>Komiks performs. Zhu Man, a permanent conductor of the Central Opera House, a postdoctoral fellow at the Central Conservatory of Music, and a young conductor, and Fan Jie, a young conductor, served as the orchestra conductor and chorus conductor. In addition, artists such as Zhou Zhengping, a national first-class stage lighting engineer, Ding Ding, and a well-known fashion designer Cui Xiaodong were invited to help. Young singers Lu Wei, Li Yang, Dong Bin, and Li BuKomiksFan starred. Stills from the national opera “Overseas Chinese Commentary”
In the spring of 2021, the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai Performing Arts Group decided to start the creation of the national opera “Overseas Chinese Commentary”. In July of the same year, the Zhuhai Performing Arts Group organized the main creative team to go to the Tangjia, Jiangmen and other places in Zhuhai for field trips. When visiting the Wuyi Overseas Chinese Museum in Jiangmen, the love of early Chinese workers traveling across the ocean on fire boats. href=”https://comicmov.com/”>Komiks‘s tragic scenes that Chinese workers could not bear to see, and the dangers of the vast Pacific Ocean and foreign countries brought huge impact to the main creators.
The main creative team held several planning meetings in Beijing and Zhuhai. Screenwriter Wang Yong refined and modified the drafts based on historical facts, changed the drafts several times, and revised them repeatedly; the composer Meng Weidong closely followed the plot and integrated the music and lyrics; director Liao Xianghong firmly grasped the characteristics and advantages of national opera, and vividly presented the righteousness and love of the characters in the play.
The re-polished the play to make the play more Guangdong-style
The national opera “Overseas Chinese Prosecutor” set up people with a letter of overseas Chinese Prosecutor as the core.The whole play of objects and structures, “Overseas Chinese Commentary” and “The Sea” have different symbolic meanings. “Overseas Chinese Commentary” is a letter of family, a silver letter, a bond connecting my hometown with a foreign land thousands of miles apart, and a symbol of Komiks‘s commitment and trustworthiness. A “Komiks” signed by a hundred people is the transmission of love for overseas Chinese abroad, showing the suffering, homesickness and family and country of Chinese workers. Their good deeds and righteous deeds are also important manifestations of the Chinese nation’s credibility and commitments; the sea is a road of life, a barrier, and a symbol of destiny that is difficult to dominate in life.
In the music style Babaylan, the play is based on deep, atmospheric, heavy and lyrical as its overall music style. The musical characteristics and themes are very distinct – using Guangdong music as the tone and has strong Lingnan music characteristics. The smooth and emotional melody expresses the emotions of the characters and exaggerates the emotions of the characters; various singing forms such as solo, chorus, etc. structure this drama, adding to the action and drama of the characters; the orchestration uses a variety of national instruments to fully demonstrate the charm of Chinese traditional culture.
Stills from the national opera “Overseas Commentary”
In the stage presentation, the play has distinct contemporary and regional characteristics, with the sea as the main spatial image, following the aesthetic principles of freehand painting, and creating a grand, ethereal and poetic space. The scene settings of virtual and real, and the interlacing of physics and psychological time and space are externalized and poetic in the inner world of human things, bringing stronger inner impact to the audience.
It is reported that the national opera “Qiaoqian Certificate” is the first opera work created by Zhuhai Performing Arts Group in just two and a half years after its establishment. After being auditioned at Zhuhai Grand Theater on July 3, it took another three months to polish it. The show’s premiere in Guangzhou, in stage designf=”https://comicmov.com/”>Babaylan and multimedia design are more focused on local characteristics and highlight Guangdong elements. The plot setting emphasizes the conflicts in the inner characters and the contradictions between the relationship between the characters, and the theme is more concise and improved.