Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui
PhotoCinema 1950 witch cloth draw/Provided by the founder
On October 4, the national opera “Overseas Chinese Commentary” will be officially premiered in the Opera Hall of the Guangzhou Grand Theater. The play is a key support program of the Ministry of Culture and Tourism’s “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project”, telling the ups and downs behind the overseas Chinese criticism. The drama was produced by the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai High-tech Zone Management Committee. It was produced by the Zhuhai Performing Arts Group and performed by the Zhuhai Song and Dance Troupe. It took two years to collaborate in the creation and arrangement by the main creative and leading actor team and more than 200 cast and staff members in front and behind the scenes.
Stills from the national opera “Overseas Chinese Commentary”
Art presents the national spirit of historical themes
Overseas Chinese Commentary is a general term for letters and palindroms sent by overseas Chinese to their families through private channels and financial and postal institutions, with remittances and their palindromes. It is a carrier of “convergence of letters” and is called letters across the sea. It once flourished in the coastal areas of Guangdong. The national opera “Overseas Chinese Commentary” started with the fact that Liang Chengru, a Chinese worker, rushed to his hometown but died at sea in order to prevent his daughter from being sold like he was Cinema 1950 witch cloth draw to stop her daughter from being sold, and Komiks 1960 witch cloth The mother-in-law at the bed, Tang Youxin and his wife, who promised a fortune, and many Chinese workers who empathized with Liang Chengru, demonstrated the compatriots who were righteous in the years of suffering, and reflected the great love of the Chinese nation rooted in the bone marrow and flowing in the blood.
Stills from the national opera “Overseas Chinese Commentary”
How to make a piece of Overseas Chinese Commentary be concrete and present it artistically and humanly on the stage is a proposition for opera creation. The screenwriter of the play, Wang Yong, said: “A copy is the starting point of the story and the fulcrum of the story. This ‘fulcrum’ connects the ChineseCinema 1950 witch cloth drawThe past and present lives of the nation and the next life. Only by expressing human nature and human feelings can we break the barriers of time and be closer to the overseas Chinese and Chinese workers on the emotional level, so that the “Cinema 1950 witch cloth draw” is no longer an exhibition in the museum’s window, making history no longer a cold text and pictures, making the story more humane and a warm, touching and shocking light. ”Komiks 1960 witch cloth draw
The top team spent two years working hard to build the national opera “Overseas Criticism” gathered top artists in the industry – Meng Weidong, consultant of the Chinese Musicians Association, former head of the China Railway Art Troupe, and first-class composer Meng Weidong, the former composer of Cinema 1950 witch cloth draw as the composer, Vice Chairman of the China Drama Association, National Cinema 1950 witch cloth draw, Director of the Peking Opera Theater and First-class Screenwriter Wang Yong, formerly the Central Academy of Drama href=”https://comicmov.com/”>Cinema 1950 witch cloth draw Vice President and Doctoral Supervisor Liao Xianghong, former Vice President of the National Grand Theater and former Vice President of the Beijing Dance Academy, as directors, Zhu Man, Permanent Conductor of the Central Opera House, Postdoctoral Doctoral and Young Conductor Zhu Man, and Young Conductor Fan Jie, respectively, served as conductor and chorus conductor of the orchestra. In addition, artists such as Zhou Zhengping, famous stage lighting designer Ding Ding, and well-known fashion designer Cui Xiaodong were invited to help, and young singers Lu Wei, Li Yang, Dong Bin, and Li Bufan were starring.
Stills from the National Opera “Overseas Chinese Commentary”
In the spring of 2021, the Communist Party of China Babaylan 1990 cloth drawZhuhai Municipal Party Committee PropagandaBabaylan 1990 cloth drawThe transmission department and Zhuhai Performing Arts Group decided to start the creation of the national opera Komiks 1960 witch cloth drawThe creation of the Overseas Chinese Commentary. In July of the same year, Zhuhai Performing Arts Group organized the main creative team to go to the Tangjia, Jiangmen and other places for field trips. When visiting the Wuyi Overseas Chinese Museum in Jiangmen, the early Chinese workers traveled across the ocean on fireboats, the miserable scenes that Chinese workers could not bear to witness, and the dangers of the vast Pacific Ocean and foreign countries brought huge shocks to the main creators. Draw hit. The creative team held several planning meetings in Beijing and Zhuhai. Screenwriter Wang Yong refined and revised the drafts based on historical facts, repeatedly modified them; the composer Meng Weidong closely followed the plot and integrated music and lyrics; director Liao Xianghong firmly grasped the characteristics and advantages of the national opera, and brought the righteousness and love of the characters in the play to vividly present it.
The polishing of the play once again makes the play more Guangdong-style Babaylan 1990 cloth draw
The national opera “Overseas Chinese Commentary” sets up characters and structures the whole play with a letter from overseas Chinese Commentary as the core. “Overseas Chinese Commentary” and “the sea” have different symbolic meanings. “Overseas Chinese Commentary” is a letter from home, a silver letter, a link connecting the hometown and a foreign land thousands of miles away, and a symbol of commitment and loyalty. A “Overseas Chinese Commentary” signed by a hundred people is the transmission of love for overseas Chinese, showing the suffering, homesickness and feelings of family and country of Chinese workers. Their good and righteous deeds are also ChinaBabaylan 1990 clothes drawThe important manifestation of the nation’s credibility and keeping promises; the sea is the road of life, a barrier, and a symbol of fate that is difficult to dominate in life.
In terms of music style, the play is based on deep, grand, heavy, and lyricism, and the musical characteristics and themes are very distinct – with Guangdong music as the tone, it has strong Lingnan music characteristics. Fluid and moving melody expresses the emotions of the characters and exaggerates the emotions of the characters; solo, chorus and other singing forms structure this drama to enhance the mobility and drama of the characters; orchestration uses a variety of ethnic instruments to fully demonstrate the traditional Chinese culture.charm.
Stills from the national opera “Overseas Commentary”
In the stage presentation, the play has the distinctive era and regional characteristics of Babaylan 1990 cloth draw. It takes the sea as the main spatial image, follows the aesthetic principles of freehand painting, and creates a grand, ethereal and poetic space. The scene settings of virtual and real, and the juxtaposition of physics and psychological time and space externalize the inner world of the characters Komiks 1960 witch cloth draw, poetic, bringing a stronger inner impact to the audience.
It is reported that the national opera “Qiqian Criticism” is the first opera created by Zhuhai Performing Arts Group in just two and a half years since its establishment. After being auditioned at the Zhuhai Grand Theater on July 3, it took another three months to polish it. This time, the play’s premiere in Guangzhou has strengthened local characteristics in stage design and multimedia design, highlighting Guangdong elements, and the plot setting emphasizes the conflicts between the inner conflicts of the characters and the contradictions between the relationship between the characters, and the theme is also more concise and improved.