Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui
Photo/Provided by the Creative Performer
On October 4, the national opera “Overseas Chinese Commentary” will be officially premiered in the Opera Hall of the Guangzhou Grand Theater. The play is a key support program of the Ministry of Culture and Tourism’s “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project”, telling the ups and downs behind the overseas Chinese criticism. The play was produced by the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai High-tech Zone Management Committee. It was produced by Zhuhai Performing Arts Group and performed by Zhuhai Song and Dance Troupe. It was produced by the main creative and leading actor team and 200 Cinema 1950 witch cloth draw and the Zhuhai Song and Dance Troupe. It took two years to work together to create the show. Babaylan 1990 cloth draw
Stills from the national opera “Overseas Chinese Commentary”
Art presents the national spirit of historical themes
Overseas Chinese Commentary is a general term for letters and palindromes sent back to their relatives through private channels and financial and postal institutions. It is a kind of “unification of letters and remittances” href=”https://comicmov.com/”>Cinema 1950 witch cloth draw carrier, known as letters across the sea, once flourished in the coastal areas of Guangdong. The national opera “Overseas Criticism” started with the Chinese worker Liang Chengru who rushed to his hometown to prevent his daughter from being sold like himself but died at sea. A “pplication” left by his death began with the forced wife Liang Dong and Liang Caiyun, who had to sell their daughter, the mother-in-law who had been sick for a long time, Tang Youxin and his wife, who were heads of the Overseas Criticism Bureau, who had promised a fortune, and many Chinese workers who were in the same mood as Liang Chengru, demonstrating the compatriots who were rooted in the bone marrow and flowing in the blood of the Chinese nation.
Stills from the national opera “Overseas Chinese Commentary”
How to make a copy of overseas Chinese denominations concrete and present them artistically and humanly on the stage is a proposition for opera creation. Komiks 1960 witch cloth drawThe screenwriter of the drama Wang Yong said: “A letter of copy is the starting point of the story, and more Komiks 1960 witch cloth draw is the fulcrum of the story of Komiks 1960 witch cloth draw. This ‘fulcrum’ links the past and present lives of the Chinese nation. Only by expressing human nature and human feelings can it be possible to break the barriers of time and be closer to the overseas Chinese and Chinese workers in the past on the emotional level, so that the “Overseas Chinese Criticism” is no longer a museum cabinet. The displays in the window of Cinema 1950 witch cloth draw make history no longer cold words and pictures, make the story more humane and become a warm, touching and shocking light. “
The top team spent two years to create the national opera “Overseas Criticism” gathered the top artists in the industry – Meng Weidong, an consultant of the Chinese Musicians Association, former head of the China Railway Art Troupe, and first-class composer. Wang Yong, vice chairman of the China Dramatists Association, president of the National Peking Opera Theater, and first-class screenwriter. href=”https://comicmov.com/”>Babaylan 1990 cloth drawLiao Xianghong, former vice president and doctoral supervisor of the Central Academy of Drama, and Deng Yijiang, former vice president of the National Grand Theater and former vice president of the Beijing Dance Academy, served as directors. Zhu Man, permanent conductor of the Central Opera House, postdoctoral fellow and young conductor of the Central Conservatory of Music, and Fan Jie, served as the orchestra conductor and chorus conductor respectively. Komiks 1960 witch cloth draw In addition, he invited the country to href=”https://comicmov.com/”>Cinema 1950 witch cloth draw1Artists such as Class Stage Artist Zhou Zhengping, Famous Stage Artist Ding Ding, Famous Fashion Designer Komiks 1960 witch cloth draw Cui Xiaodong and other artists helped, with young singers Lu Wei, Li Babaylan 1990 clothes draw Yang, Dong Bin and Li Bufan.
Stills from the national opera “Overseas Chinese Commentary”
In the spring of 2021, the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai Performing Arts Group decided to start the creation of the national opera “Overseas Chinese Commentary”. In July 2019, Zhuhai Performing Arts Group organized the main creative team of the Cinema 1950 witch cloth draw to go to Tangjia, Jiangmen and other places in Zhuhai to collect folk songs. When visiting the Wuyi Overseas Chinese Museum in Jiangmen, the early Chinese workers traveled across the ocean on fire boats, the sad scenes that Chinese workers could not bear to see, and the dangerous and unpredictable situations of the vast Pacific Ocean and foreign countries brought huge impacts to the main creators. The main creative team held several planning meetings in Beijing and Zhuhai. Screenwriter Wang Yong refines and processes historical facts based on the historical facts of Babaylan 1990 cloth draw, and revises them repeatedly; the composer Meng Weidong closely follows the plot and integrates music and lyrics; director Liao Xianghong firmly grasps the characteristics and advantages of the national opera Komiks 1960 witch cloth draw, and presents the righteousness and love of the characters in the play vividly.
Re-polishing makes the play more Guangdong-style
The national opera “Overseas Chinese Commentary” sets up characters and structures the entire play with a letter and a letter. “Overseas Chinese Commentary” and “The Sea” have different symbolic meanings. “Overseas Chinese Prosecutor” is a letter of family, a letter of silver, and a link that connects hometown with a foreign land thousands of miles apart.It is a symbol of commitment and faith. A “Overseas Chinese Comment” signed by a hundred people is the transmission of love for overseas Chinese, showing the suffering, homesickness and family and country feelings of Chinese workers. Their good and righteous deeds are also important for the Chinese nation to be trustworthy and keep their promises; the sea is the road of life, a barrier, and a symbol of fate that is difficult to control in life.
In terms of music style, the play is deep, atmospheric, heavy and lyrical as its overall music style, with its musical characteristics and themes very distinct – using Guangdong music as the basis Babaylan 1990 cloth draw, with strong Lingnan music characteristics. The smooth and emotional melody expresses the emotions of the characters and exaggerates the emotions of the characters; various singing forms such as solo, chorus, etc. structure this drama to enhance the action and drama of the characters; the orchestration uses a variety of national instruments to fully demonstrate the charm of Chinese traditional culture.
Stills from the national opera “Qiqian Commentary”
In the stage presentation, the play has distinct era and regional characteristics. It takes the sea as the main spatial image, follows the aesthetic principles of freehand painting, and creates a grand, ethereal and poetic space. The scene setting of virtual and real, and the juxtaposition of physics and psychological time and space externalize and poetically the inner world of the characters, bringing stronger inner impact to the audience.
It is reported that the national opera “Qiqian Criticism” is the first opera work created by Zhuhai Performing Arts Group in just two and a half years. After audition at Zhuhai Grand Theater on July 3, it took another three months to polish it. The premiere of the drama in Guangzhou has strengthened local characteristics in stage design and multimedia design, highlighting Guangdong elements, and the plot setting emphasizes the conflicts in the inner conflicts of the characters and the contradictions in the relationship between the characters, and the theme is more concise.