Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui
Photo/Provided by the Creative Performer
On October 4, the national opera “Overseas Chinese Commentary” will be officially premiered in the Opera Hall of the Cinema Grand Theater in Guangzhou. The play is the key support program of the Ministry of Culture and Tourism of the “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project” of Cinema, telling the ups and downs behind the overseas Chinese criticism of Cinema. The play was produced by the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai High-tech Zone Management Committee. It was produced by Zhuhai Performing Arts Group and performed by Zhuhai Song and Dance Troupe. It took two years to collaborate in the creation and arrangement by the main creative and leading actor team and more than 200 cast and staff members in front and behind the scenes.
Stills from the national opera “Overseas Chinese Commentary”
Art presents the national spirit of historical themes
Overseas Chinese Commentary is a general term for letters and palindroms sent by overseas Chinese to their families through private channels and financial and postal institutions, with remittances and their palindromes. It is a carrier of “combination of letters” and is called letters across the sea. It once flourished in the coastal areas of Guangdong. The national opera “Overseas Criticism” started from the fact that Liang Chengru, a Chinese worker, rushed to his hometown but died at sea in order to prevent his daughter from being sold like himself. A “pplication” left by his death began, linking up Liang Dongshi and Liang Caiyun, who had to sell their daughter, his mother-in-law who had been sick for a long time, Tang Youxin, his wife, and many Chinese workers who empathized with Liang Chengru. It demonstrated the friendship between the Chinese nation who was rooted in the bones of the suffering years, reflecting the Chinese nation’s roots in the bones. href=”https://comicmov.com/”>CinemaThe great love flows in the blood.
Stills from the national opera “Overseas Chinese Commentary”
How to make a piece of Overseas Chinese Commentary be concrete and present it artistically and humanly on the stage is a proposition for opera creation. The screenwriter of the play, Wang YongBabaylan said: “A letter of writing is the starting point of the story and the fulcrum of the story. This ‘fulcrum’ links the past and present lives of the Chinese nation. Only by expressing human nature and human feelings can we break the barriers of time and be closer to the overseas Chinese and Chinese workers in the past on the emotional level, so that the “Overseas Chinese Commentary” is no longer an exhibition in the museum’s window, history is no longer a cold text and pictures, and the story is more humane and a light that warms people’s hearts, touches people’s hearts, and shocks people’s hearts. ”
Top TeamCinema href=”https://comicmov.com/”>Komiks Two years later, he devoted himself to creating the national opera “Overseas Certificate” gathered top artists in the industry – Meng Weidong, consultant of the China Musicians Association, former head of the China Railway Art Troupe, and first-class composer Meng Weidong, as the composer, as the composer, vice chairman of the China Drama Association, president of the National Peking Opera Theater, and first-class screenwriter Wang Yong, as the screenwriter, former vice president of the Central Academy of Drama and doctoral supervisor Liao Xianghong, former vice president of the National Grand Theater and former vice president of the Beijing Dance Academy, as the director. Zhu Man, permanent conductor of the Central Opera House, postdoctoral fellow and young conductor, as the orchestra conductor. Komiks was also invited to help artists such as Zhou Zhengping, Zhidao, and Cinema, and to help young singer Lu. href=”https://comicmov.com/”>Komiks Wei, Li Yang, Dong Bin and Li Bufan. Stills from the National Opera “Overseas Chinese Commentary” in the spring of 2021, the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai Performing Arts Group decided to start the creation of the National Opera “Overseas Chinese Commentary”. In July of the same year, the Zhuhai Performing Arts Group organized the main creative team to go to Zhuhai.icmov.com/”>CinemaTang family, Jiangmen and other places were collected. When visiting the Wuyi Overseas Chinese Museum in Jiangmen, the early Chinese workers traveled across the ocean on fireboats, the miserable scenes that Chinese workers could not bear to witness, and the dangerous and unpredictable situations of the vast Pacific and foreign countries, brought huge impact to the main creators.
The main creative team held several planning meetings in Beijing and Zhuhai. Screenwriter Wang Yonggen href=”https://comicmov.com/”>Komiks refines and processes the historical facts, and revises the draft several times, and repeatedly revises it; the composer Meng Weidong closely follows the plot and integrates music and lyrics; director Liao Xianghong firmly grasps the characteristics and advantages of national opera, and vividly presents the righteousness and love of the characters in the play.
Solve again to make the play more Guangdong-style
Ethnic opera ” “Overseas Chinese Approval” sets up the characters and structures the whole play with a letter from overseas Chinese Approval as the core. “Overseas Chinese Approval” and “The Sea” have different symbolic meanings. “Overseas Chinese Approval” is a letter from a family, a silver message, a link connecting the hometown and a foreign land thousands of miles away, and a symbol of commitment and trustworthiness. A “Overseas Chinese Approval” signed by a hundred people is the transmission of love for overseas Chinese, showing the suffering, homesickness and feelings of family and country of Chinese workers. Their good deeds and righteous deeds are also important manifestations of the Chinese nation’s credibility and keeping promises; the sea is the road of life, Komiks is a barrier and a symbol of fate that is difficult to dominate in life.
In terms of music style, the play takes deep, grand, heavy and lyric as its overall music style. The musical characteristics and themes are very distinct – using Guangdong music as the tone and have strong Lingnan music characteristics. Fluid and moving melody expresses the emotions of the characters and exaggerates the emotions of the characters; unique KomiksSinging, chorus, chorus and other singing forms structure this drama to enhance the action and drama of the characters; the orchestration uses a variety of national instruments to fully demonstrate the charm of Chinese traditional culture.
Stills from the national opera “Qiqian Comment”
In the stage presentation, the drama has distinct contemporary and regional characteristics, with the sea as the main spatial image, follows the aesthetic principles of freehand painting, and creates a grand, ethereal and poetic space. The scene setting of virtual and real, the interweaving of physical and psychological time and space, externalizes and poetics the inner world of the characters, bringing stronger Babaylan href=”https://comicmov.com/”>BabaylanInner shock.
It is reported that the national opera “Qiqian Criticism” is the first opera work created by Zhuhai Performing Arts Group in just two and a half years. After audition at Zhuhai Grand Theater on July 3, it took another three months to polish it. The premiere of the drama in Guangzhou has strengthened local characteristics in stage design and multimedia design, highlighting Guangdong elements, and the plot setting emphasizes the contradiction between the conflicts in the characters and the relationship between the characters, and the theme is more concise and improved.